Author: Hansen, Svend Wiig
Country: Denmark
Language: Danish
Year Published: 1980
No. of pages: 16
Illustrations: 11 B&W Illustrations.
Binding: Softbound
Size: 8” x 5 1/2”
Weight: 0.00
ISBN: 8787273241
Biblio/Bio: Bios.
Code: 6544
Price: $12.50
From the Royal Collection of Etchings this small booklet shows the work by SWH (1922-1997). Drawings of people at war.
Author: Bourque, Darrell and Philip Gould
Country: Louisiana
Language: English
Year Published: 2013
No. of pages: 160
Illustrations: 161 Color Illustrations.
Binding: Hardbound
Size: 10 1/2”x 11
Weight: 4.00
ISBN: 9781935754237
Biblio/Bio:
Code: 6955
Price: $45.00
Soul Exchange is an exploration of the art and life of Dennis Paul Williams, a St. Martinville native who has made a lifelong career painting spirits in their heavenly realm. Williams was driven as a child to draw, paint, and explore artistic materials as he embraced his Creole heritage, where every aspect of life revolves around faith, celebration, and beauty. Williams' works have evolved into expressions of his deep spirituality. The objects he creates are imbued with beauty and intrinsic spiritual power. He has works in numerous museums in the U.S. and beyond. Many of his paintings can also be found in private collections around the world. Wiliams has also enjoyed a parallel career as a guitarist for twenty-six years in his brother's band, Nathan Williams and the Zydeco Cha Chas. The relationship between Williams's art, both music and painting, and his spirituality seem to embrace one word: healing. Whether an individual is overcoming illness, loneliness, or despair, Williams's art offers a prayer and moment of counseling. Soul Exchange presents over one hundred works by the artist. It also includes a portrait of Williams by book editor Philip Gould as well as an overview of his art by former Louisiana Poet Laureate Darrell Bourque.
Author: Finkel, Bruria
Country: Los Angeles
Language: English
Year Published: 2007
No. of pages: 44
Illustrations: 70 Color Illustrations. 7 B&W Illustrations.
Binding: Softbound
Size: 8 1/2”x 11”
Weight: 1.00
ISBN: 9781424337972
Biblio/Bio: Bios. Cat. of exh.
Code: 6064
Price: $25.00
The exhibition features the work of thirty-six female artists residing in Southern California who have made art since the 1970s and continue to do so. The artists in this exhibition consider themselves feminists. They reflect on their experiences while expressing formal concerns and inventing languages that reveal historical and contemporary connections. Artists include among many: Karen Carson, Lita Alberqueque, Diane Buckler, Rachel Rostenthal, Miriam Wosk, Connie Zehr, June Wayne, Lili Lakich, Gilah Yelin Hirsch, Ynez Johnston, Connie Jenkins, Carole Caroompas, Merion Estes, Astrid Preston, Margaret Nielsen, Ruth Weisberg, Bruria Finkel et al.
Author: Jan Åman
Country: Sweden
Language: Swedish/English
Year Published: 1991
No. of pages: 94
Illustrations: 45 Color Illustrations. 123 B&W Illustrations.
Binding: Clothbound
Size: 8”x9 3/4”
Weight:
ISBN: 9171190341
Biblio/Bio:
Code: 0675
Price: $595.00
A presention of twenty floors by Fredrik Wretman, works of art, many with highly reflective surfaces, which are thought-provoking and yet absurdly inexplicable. The reflected images present rooms that cannot be entered, images that seem to have no source.
Author: Jaukkuri, Maaretta & Patrik Nyberg eds.
Country: Finland
Language: Finnish/ English
Year Published: 2002
No. of pages: 48
Illustrations: 29 Color Illustrations. 4 B&W Illustrations.
Binding: Softbound
Size: 9 1/2”x 6 1/2”
Weight: 0.00
ISBN: 9515324424
Biblio/Bio:
Code: 5247
Price: $45.00
This exhibition catalogue shows photographs of installations almost always including a human and drawings of the conceptual artist Erwin Wurm from Vienna, Austria (b.1954). A certain dematerialization can be noted in his work over the last few years. There is a transition from the material sculptures of the early 1980s , in which he used materials from his carpenter shop such as wood or metal, to the instruction-based pieces of the second half of the 1990s. He pushed the envelope in order to expand his notions of sculpture, whilst increasingly bridging the gap between art and everyday life. He evokes the questions: ‘When does an object stop being an object? At what point does it become a performance?’